From ingest, to editing, to color, to delivery, your entire pipeline can be contained within the Resolve eco-system. Above and beyond the tools themselves, the fundamental structure of Resolve is designed in a way that will get you to the finish line more efficiently than ever.
The point is really to focus on the experiential elements of using Resolve as your editing system, so you can understand the true benefit of running your projects through it: Speedįor me, speed is king when it comes to editing software, and there’s no question that Resolve’s unique toolset and structure allows you to work extremely quickly.Ī huge amount of the new tools that Resolve offers (such as Optimizing Media for instance), are designed to enhance your editing sessions, simplify your workflow, and most importantly – speed up your process, and they definitely deliver on all accounts. It’s worth noting that this post isn’t intended to outline a comprehensive list of Resolve’s features. It now feels like a full blown finishing system that has the best color tools available, built right in… With that in mind, I’ve listed 5 of the main reasons why I believe DaVinci Resolve is the becoming the best editing platform out there. Resolve no longer feels like a dedicated color grading app. But now, more and more of my projects have been running through Resolve, and I don’t doubt that trend will continue. That said, I would still often choose Premiere Pro for certain jobs or even Avid (very rarely) for others. Up until recently, I would run the majority of my projects through FCP X as it was by far and away the fastest system for me to work on – especially given the type of projects that I’m often tackling. I run FCP X, Premiere Pro, and Avid (in addition to Resolve of course), and understand that they each have their place. I’ll use whatever tool suits the task best, regardless of brand.
Personally speaking, I’ve had such an amazing experience editing projects on Resolve 12 that it’s quickly becoming my go-to editing platform.Īs I’ve mentioned on this site many times before, I’m pretty much software agnostic. While previous iterations of the software offered solid editorial functionality, it wasn’t until version 12 that everything changed. Blackmagic has been working long and hard to make their flagship color grading software (Resolve) a full fledged NLE and finishing system.
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